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supported by 4 fans who also own “They Change Faces”
“With Julius, he was based in repetition, but here was a spirit of openness and improvisation. His scores, if they were written out that way, were often like jazz scores. He loved multiplying instruments – four pianos, ten cellos – so there was a real feeling of the presence of the instrument, not just using an instrument in some kind of equation, as a means to an end.” ~ Mary Jane Leach Enough said.
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supported by 4 fans who also own “They Change Faces”
Got the tape a few days ago. This album has such a strong side B, it made me forget about side A almost every turn. So everytime I played side A again I didn't recognize the songs... like if the music magically changed. OK I know this sounds stupid. What I wanted to say is this: Great album!
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We Have Dozens of Titles
by Gastr del Sol
A new compilation of studio recordings and live rarities captures another side of ’90s experimentalists Gastr del Sol.
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This sprawling box set from Illusion Of Safety collects 20 free-roaming experimental tracks.
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The songs on Kelly Reed’s latest are slyly self-deprecating, set to a backdrop of measured keys and guitar for maximum stateliness.
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featured on Bandcamp Radio Apr 11, 2023
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