1. |
They Change Faces
07:31
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2. |
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3. |
Only Human Once
08:39
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4. |
Found In Space
10:00
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supported by 4 fans who also own “Only Hidden Once”
“With Julius, he was based in repetition, but here was a spirit of openness and improvisation. His scores, if they were written out that way, were often like jazz scores. He loved multiplying instruments – four pianos, ten cellos – so there was a real feeling of the presence of the instrument, not just using an instrument in some kind of equation, as a means to an end.” ~ Mary Jane Leach Enough said.
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supported by 4 fans who also own “Only Hidden Once”
Got the tape a few days ago. This album has such a strong side B, it made me forget about side A almost every turn. So everytime I played side A again I didn't recognize the songs... like if the music magically changed. OK I know this sounds stupid. What I wanted to say is this: Great album!
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The songs on Kelly Reed’s latest are slyly self-deprecating, set to a backdrop of measured keys and guitar for maximum stateliness.
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The Chicago-based composer invites listeners to time travel via her layered and avant-garde ambient music.
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Three-and-a-half hours of electroacoustic improvisations that frequently conjure worlds as wonderful, alien, graceless, and confounding as insect mating.
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